Prospect Printing Adds Digital Capacity with Linoprint 751 from Heidelberg

022714.prospectprinting

From left: Dan Dibble, Angela Halloran, Matt Pryor, Michele Muccino, Mark Deloia (owner), Anthony Bracco (owner), Mike Ambrose (owner), Frank Segui, and Daryl Canuzzi.

Prospect Printing, LLC (Prospect, CT) has installed a Linoprint C751 with inline bookletmaker from Heidelberg to take advantage of higher margins on the short-run and variable data jobs it hopes to attract, based on the new machine’s fast turnaround and less expensive setup capabilities. “Being able to say ‘yes’ with confidence to short-run, quick-turn job requests alleviates a lot of stress for us,” said Anthony Bracco, a founding partner of the business. “Plus, our operators love it.”

Already running static jobs from one to 1,500 sheets on the new digital press, the company is quickly ramping up its variable data expertise. With annual sales in the $2.3 million range, Prospect Printing serves customers throughout the Northeast. The Linoprint C751 is the company’s first digital machine.

 

Ryan Printing Moves from 29″ to 40″ Production by Installing a Speedmaster CX 102

022614.RYAN_PRINTINGAl Ryan, president of Blauvelt Printing, at the company’s new Heidelberg Speedmaster CX 102 offset press.

The installation of a five-color Heidelberg Speedmaster CX 102 press with Inpress Control, aqueous coater, and extended delivery earlier this month marked a watershed moment for Ryan Printing (Blauvelt, NY). The new press heralds the one-shift operation’s transition from a half- to a full-size shop with competitive firepower to spare.

“Before the installation, we were thinking of adding a second shift based on rising volume, but the speed (16,500 sph) and productivity of the CX 102 has made that unnecessary,” said Al Ryan, president. “We’ll be sticking with a five-day, single-shift operation with occasional weekend work. We’re confident we’ll be able to compete effectively by doing what we’ve always done: expanding our capabilities, extending our print market with the 40″ press, and providing great customer service.”

Ryan said that the new Speedmaster CX 102, which takes the place of a five-color, 29” Speedmaster CD 74, had its work cut out from the moment it went online. “We already had enough work for it, so keeping it busy isn’t a problem.”

At the same time, he said, “we’ve realized savings on the order of 50% to 70%, thanks to the Prinect Inpress Control inline closed-loop color management system which drives down our makeready time to 10 minutes, enables us to get to precise LAB matching color in under 200 sheets, and substantially reduces our consumption of ink and paper. Our bindery operations have been streamlined by being able to cut larger sheets of printed material and folding larger signatures.”

Thanks also to the cartridge-based InkStar ink supply, the company enjoys the benefits of fully automated ink feeding and reduced startup times by eliminating the need to skin ink cans prior to filling the fountain. The additional benefits of less wasted ink and continuous monitoring of ink levels through the Prinect Press Center Console ensure the highest quality without sacrificing the ability to change inks flexibly.

The addition of the Speedmaster CX 102 also will enable Ryan Printing to expand its packaging business. Not only will the company gain tremendous flexibility in handling substrates from lightweight paper to 40-pt. board stock, but Prinect Inpress Control will keep brand colors consistent and reduce waste to a minimum, advancing the company to a higher level of production capability.

“We’ve always manufactured some packaging materials like boxes, bottle-neckers, and window signage,” Ryan said, “but we are now into it seriously and consider folding cartons a strong growth area. The Speedmaster CX 102 is a robust, flexible press for the wide variety of high-quality commercial and packaging printing jobs our customers demand.”

In choosing the Speedmaster CX 102, Ryan Printing also has strengthened its commitment to environmental protection, based on the low energy usage, resource efficiency, and long service life that make the Speedmaster CX 102 the most environmentally friendly press in its class.

The CX 102 is ideal for reduced-alcohol and alcohol-free printing, while color measuring systems such as Prinect Inpress Control reduce paper waste on average by 200 up to 400 sheets per print job and lower the level of CO2 emissions. In addition, environmentally friendly cloth blanket wash-up devices use water and solvent to reduce the overall amount of solvent used, yielding savings of up to 90%.

Citing double-digit revenue growth from year-to-year and $7.5 million in current annual sales, Al Ryan attributes his company’s 20-year record of industry-leading service and quality to a combination of smart investment and top-notch customer service. “We give our customers what they want, when they want it,” Ryan said. “People are happy with us, and that yields more work for us as we add capabilities.”

Sandy Alexander Sets A World Benchmark by Installing Its Third HP Indigo 10000 Digital Press

Sandy Alexander (Clifton, NJ) has become the first print company in the world to purchase and install three HP Indigo 10000 Digital Presses.

Sandy Alexander was one of the first companies to install the 29″ HP Indigo 10000 Digital Press as a beta customer in 2012. After a successful beta test, the company decided to purchase the press to transform its offerings and provide the capacity needed to support new programs for its clients in the automotive, pharmaceutical, financial, and travel industries.

In June 2013, Sandy Alexander added a second HP Indigo 10000 Digital Press to meet growing demand for the larger sheet size and support its expanding capabilities in one-to-one marketing. Now, Sandy Alexander has purchased a third HP Indigo Digital Press to increase marketing and variable data printing capabilities.

“The success of several of our ongoing loyalty and acquisition campaigns led to increased demand for personalized print output in the larger sheet size,” stated Rob Mayerson, general manager of Sandy Alexander’s Digital Solutions Division. “In a few cases, we found our agency clients designing communications specifically for the HP Indigo 10000, further leading to increased demand and a call for capacity.”

Sandy Alexander is a leading direct marketing and commercial print provider for companies across the U.S. Sandy Alexander has an unwavering focus on color consistency and quality, making the HP Indigo 10000 a perfect match. With three digital presses the company will increase its digital output, offering faster turnaround to customers, and providing more digital print with high-quality color matching and effects like white ink and raised print.

“In this competitive marketplace, we strive relentlessly to help our clients maximize the effectiveness of their marketing efforts,” said Mike Graff, CEO and president of Sandy Alexander. “The ability to leverage the larger sheet size in combination with superior quality and data driven personalization has been a true differentiator. It has opened the door to even deeper relationships with Fortune 500 clients in the automotive, retail, luxury goods and travel industries.”

Book Manufacturer G&H Soho Stays Sharp with New Accutrim HD1680 Three-Knife Trimmer from Colter & Peterson

021414.g&h_sohoJim Harris, president of G&H Soho, and lead operator Lynley Bernstein with their new Accutrim HD1680 three-knife trimmer from Colter & Peterson.

Now in their 29th year at G&H Soho Inc., Jim Harris and Gerry Burstein have experienced all the highs and lows of owning a business in the printing industry. The Elmwood Park, NJ, shop has always operated in the New York City metro area, and today, business for the niche book printer is certainly on the upswing.

Last month, to better handle the influx of hardcover, paperback, spiral, and saddlestitched work, G&H Soho became one of the first shops in the metro market to install a new Accutrim HD1680, a fast, efficient, and flexible three-knife trimmer from Colter & Peterson. They also bought a POLAR 66 reconditioned paper cutter from C&P to cut book covers and jackets.

“Since we purchased the three-knife trimmer and paper cutter, we’ve booked so much new work,” says Harris, president of G&H Soho. “After nearly 30 years, we know the book business. It’s in our DNA.”

Harris also knows how important it is to seize the moment when business is good. His father and uncle began the business as Ganis and Harris in 1946. Burstein started Soho Studio in 1971. Harris and Burstein decided to combine companies in 1985, becoming one of the first providers in the metro area to use digital information for producing bound galleys on the Xerox DocuTech production publishing system. Business was booming, and the company moved to Hoboken, NJ.

Belt-tightening and DocuTech work helped G&H Soho to survive tough times in 2001 when, on the same day, two major clients informed Harris that they were taking advantage of cheaper rates in India for typesetting books. The company survived the recession of 2008-2009 only to see the bottom fall out in 2010. The turning point for today’s renaissance came in May 2102 with a decision to move from Hoboken to the company’s present 12,500-sq.-ft. facility in Elmwood Park. Five months later, Hoboken was devastated by Hurricane Sandy.

G&H Soho is now a complete digital shop. An HP Indigo press handles color books, color inserts, and both paperback and hardcover covers. There’s also an Océ press for black-and-white text and a Horizon 270 perfect binder. Harris says the average run length is 100 to 300 copies with the occasional longer run of 2,000 copies. The work consists primarily of 6″ x 9″, 7″ x 10″, and 8″ x 11″ books for academic and university publishers and individuals.

What sets G&H Soho apart from other digital book printers is the willingness to print non-standard sizes and customize books to satisfy their clients. The shop is humming, running 15 hours a day during the week with a 10-hour shift on Saturday. Harris says he plans to hire more employees this year, perhaps sooner than he expected.

Last September, however, Harris and Burstein discovered that they had a problem in their bindery department.

“We had a bottleneck when it came time to trim the books,” Harris says. “As we got busier, our people began competing for time with the existing paper cutters. We needed a solution to make our situation significantly better.”

At the time, Paterson, NJ-based Colter & Peterson—North America’s largest independent distributor of paper cutters and paper handling equipment—had just introduced the Accutrim HD1680. User friendly, it offers a maximum book thickness of 3.5″ with trim sizes from 3.15″ x 3.15″ to 11.8″ x 16.5″. Its computer controlled makeready permits through feed or one-man operation, and it has a slew of benefits that are usually not associated with off-line, on-demand three-knife trimmers.

“Until I saw it, I originally thought it had too many moving parts and would be down too often,” Harris says. “I was surprised that this was not the case, and it has proven to be a very productive machine with a relatively easy changeover to go from 6″ x 9″ to 7″ x 10″ or 8″ x 11″ or any size in between.” He adds that the trimmer’s two-year warranty for parts was another key factor in the decision.

The Accutrim HD1680’s 5º swing angle lets operators make the highest quality cuts and reduce wear and tear while extending the life cycle of the knife. Minor format changeovers typically take less than one minute, and complete format changes can be made in less than three minutes—another important consideration for the G&H Soho team.

The Accutrim HD1680 is doing 80% of the book trimming at G&H Soho. “We’re having a great time,” Harris says. “In addition to our regular publishing clientele, we are now printing books for professional photographers and galleries in New York City. We’re also utilizing our warehouse space and doing fulfillment work. We’ve been able to expand our services and client base at the same time. I feel pretty confident about the future of books and the long term success of our company.”

 

Heidelberg Executives Visit Long Island Trade Printer

 

AllColorVisit.smLeft to right, Thomas Cummings, Heidelberg USA; Steven Bogue, Operations Manager, All Color Business Specialties; Dr. Gerold Linzbach, CEO Heidelberger Druckmaschinen AG, William Bogue, Owner, All Color Business Specialties, Ltd.; Robin Karpp, Investor Relations, Heidelberg Druckmaschinen AG; and Harald Weimer, President, Heidelberg USA.

All Color Business Specialties, Ltd.,  recently hosted Dr. Gerold Linzbach, CEO of Heidelberg Druckmaschinen AG, and Harald Weimer, President of Heidelberg USA, at its facility in Deer Park, NY. The company, a mainstay of the local market, followed up its May 2013 installation of a Speedmaster XL 75 with a new Suprasetter 106 CtP device, and a Linoprint C751 digital printing system. Founded in 1959, All Color provides a broad range of services to the trade, including prepress, printing, binding and finishing, and mailing. The company counts eight other Heidelberg presses, multiple Stahlfolders, ST 90 and ST 100 saddlestitchers, two POLAR cutters, and a pair of Heidelberg die cutters. Workflow components include Prinect Business Manager (MIS), Prinect Prepress Manager, and Prinect Pressroom manager to promote maximum efficiency, optimal quality, and high profit potential. “It cannot be a coincidence that our success has grown by partnering with Heidelberg,” said company owner William Bogue.

2013 Naomi Berber Memorial Award Honors NYU’s Bonnie Blake

Bonnie Blake, New York University, NY, NY.

Printing Industries of America (PIA) has announced that Bonnie Blake, clinical assistant professor, New York University, is the recipient of the 2013 Naomi Berber Memorial Award. This award honors outstanding women in the graphic communications industry for compiling exceptional records of achievement, making unusual contributions toward the development of the graphic communications industry, and for furthering the interests of the industry.

With more than 30 years of professional experience in education and media, Blake currently serves as a full-time clinical assistant professor in NYU’s Master’s Program in Graphic Communication Management and Technology (GCMT). The Berber award recognizes her long-standing dedication to education and her leadership in the graphic communications and media industries.

Having served as the GCMT program’s academic director for the last six years, Blake has been responsible for much of the program’s overall growth and success. In this role, she directed curriculum development; recruited top students, faculty, and industry talent; and mentored students and alumni.

She serves as liaison to the program’s 43-member Advisory Board and sits on many of its committees for academic development, scholarships, and career development. She also is a member of the education committee of the Advertising Production Club of New York.

Blake founded her own advertising and promotion agency in 1982. Her clients have included AT&T, Forbes, PepsiCo, CNN, National Geographic Television, NBC, HarperCollins Publishers, BlakeGlobal, Lucent Technologies/Caribiner, Tishman Realty, Chic and H.I.S. Jeans, New York University, and Pitney Bowes/Zabit.

Blake earned an M.A. in Graphic Communications Management and Technology at NYU in 1987 and was the recipient of the NYU Prism Alumni Achievement Award for Graphic Excellence in 1993. She has taught in the GCMT master’s program since 1989 and has advised students since 1995. She has received recognition from NY Women in Communications for supporting educational opportunities and membership. She graduated cum laude from Boston College/Newton College of the Sacred Heart in 1976 with a B.A. in history and a minor in education.

Her award will be presented at PIA’s fall administrative meeting in Chicago next month. For more information about PIA’s awards programs, visit printing.org/awards or contact Michael Packard at mpackard@printing.org.

Sandy Alexander Expands into High-End Retouching and CGI with the Introduction of SALT Studios

Sandy Alexander (Clifton, NJ) has announced its expansion into high-end retouching and CGI (computer generated imagery) with the acquisition of a state-of-the-art firm and the addition of several senior executives from digital and production services. The high-end creative boutique will be rebranded as SALT Studios and will be a wholly owned subsidiary of Sandy Alexander.

Located in midtown Manhattan, SALT Studios offers creative retouching, a full-service CGI studio, in-house services for digital photography, a full prepress department for ad releases, and a full suite of asset management and online ordering tools.

“Expansion into the high-end retouching and CGI is a natural progression for Sandy Alexander’s long-term strategic vision of offering our clients the broadest array of value added services in the graphics communications industry,” said Mike Graff, president and CEO of Sandy Alexander. “From digital workflow solutions to the final printed piece, Sandy Alexander has the flexibility and horsepower to provide the most impactful and efficient output for any marketing campaign regardless of substrate, size, or quantity.”

Several senior executives have also joined the company to lead SALT Studios. They include Dan Anselmi, the former owner-manager of Imagecraft, a high-end retouching firm. “He has brought his outstanding team of retouchers and digital artists to Sandy Alexander,” Graff said. “Their extensive experience in high-end retouching, image management, and the CGI marketplace provides Sandy Alexander with the highest quality, fastest, and most advanced technology in the image-based cosmetic, fashion, and jewelry industries.”

Franklin Event Celebrates the Persistent Power of Graphic Communications

 

franklinevent.092513.1At the 2013 Franklin Event, from left: Brenda Barozzi, event committee co-chair; Tim Freeman, president, Printing Industries Alliance; Shannon Miller, recipient of the Franklin Award for Distinguished Service; Vicki Keenan, vice president, Printing Industries Alliance; Adam Avrick, event committee co-chair.

Last week’s Franklin Event offered abundant proof that printers in New York City can still pack a hall to honor the best and the brightest among them.

The celebration, hosted for 375 attendees by Printing Industries Alliance at The Lighthouse at Chelsea Piers on September 17, featured the presentation of Power of Communications Awards to outstanding performers in advertising, publishing, and printing. Also conferred were the John Peter Zenger Medal for individual excellence and the Franklin Award for Distinguished Service, a celebrity recognition.

Staged annually for decades by trade associations representing New York City graphics firms, the event surrounding the presentation of the awards continues to be the emblem of industry solidarity and fellowship throughout the metro region. The honors, says Printing Industries Alliance, “are awards through which the graphics industry, as a vital force in American society, takes pause and recognizes great leaders who have helped to preserve, strengthen or broaden the frontiers of liberty.”

Exceptional effort in support of these ideals has keynoted the careers of all recipients of the Power of Communications Award, presented for the first time more than 40 years ago to the legendary Henry Luce III of Time Inc. Last week’s recipients were praised for leaving their own records of positive influence, creative excellence, and outstanding achievement in the graphics industry segments they represent.

Honored for advertising was Jeanette Rivera-Ramos, manager of sourcing and procurement for Verizon. A self-described “kid from the South Bronx” who went on to become a senior print production and procurement manager for a long list of high-profile businesses, she currently oversees Verizon’s national print advertising production expenditures. Rivera-Ramos received a Luminaire Award from IDEAlliance in 2008.

Accepting the Power of Communications Award for Advertising, she spoke of the “whole new vernacular” that graphics professionals must become fluent in as the definition of what they do expands to include QR codes, augmented reality, mobile marketing, and other advancements in content creation and management. For graphic communicators, said Rivera-Ramos, it is no longer just about printing—the objective should be to ensure that printing is “the first step” in an integrated, multichannel sequence of marketing events.

Praising her parents for encouraging her education, she urged everyone in attendance “to take a chance on someone—to be the extraordinary person who makes a difference in someone’s life.”

Anthony Cenname, the publisher of WSJ Magazine, is this year’s recipient of the Power of Communications Award for Publishing. His 25-year career in magazine publishing includes stints as a sales and marketing executive for Travel + Leisure, Details, and Condé Nast properties.

Travel to close a deal kept Cenname from attending the Franklin Event, leaving Stephanie Arnold, sales director of WSJ Magazine, to accept the Power of Communications Award on his behalf. She said that under Cenname’s leadership, “we have turned the notion that print is dead on its head” by proving that a luxury-oriented title can do well in a shrinking market for magazines of all kinds. Arnold said that WSJ Magazine, launched six weeks before the financial meltdown of 2008, now has five U.S. and international editions with a circulation of 1.5 million.

JeannetteRivera-Ramos AnthonyCenname
KennethHeath JohnTempest

Franklin Event honorees, clockwise from top left: Jeanette Rivera-Ramos, Anthony Cenname, John Tempest, and Kenneth Heath.

Also absent from the proceedings, but for a poignant reason, was John Tempest, posthumous recipient of the Power of Communications Award for Printing. Tempest died on November 7, 2012, after a 35-year career in sales and management in the print and media industries. His résumé included positions with Banta, World Color, Fuji, Acme Printing, and UniGraphic. He was an active member of Printing Industries Alliance and other graphics industry trade groups.

Tempest left behind him, says Printing Industries Alliance, “an immense family of friends.” One of them, Diane Romano, president and COO of Hudson Yards, remembered him as a mischievously humorous but unfailingly sympathetic character who cared genuinely about everyone in his large circle.

“Everyone has at least one J.T. story,” Romano said. “The lucky ones among us have many J.T. stories.” Tempest’s wife, Nancy, accepted the award in his memory.

The John Peter Zenger Medal, named for an 18th-century hero of press freedom in America, is reserved for industry members who demonstrate exemplary qualities of courage, charity, activism, or service. This year, the tribute was bestowed upon Kenneth Heath, group publisher at Source Media, a media company serving the financial services industry.

The award cites his personal crusade for the elimination of the disease ALS (amyotrophic lateral sclerosis, better known as Lou Gehrig’s Disease). He also is an activist for other medical causes and spearheads Children of Fallen Patriots, an organization that provides educational help for young people who have lost parents in combat or training-related accidents.

Heath quipped that the “courage” attributed to him in his selection for the Zenger Medal “must relate to selling advertising in the financial services industry for 20 years.” Turning to his main theme, he called for voluntarism on everyone’s part to relieve the suffering caused by afflictions like Lou Gehrig’s disease. “I hope that soon, we all meet someone who can say, ‘Hello, I am a survivor of ALS,’” Heath declared.

franklinevent.092513.2SRO—with none to spare—was the word for the heavy turnout at the 2013 Franklin Event, held at The Lighthouse at Chelsea Piers on the Hudson River.

Those honored with the Franklin Award for Distinguished Service do not necessarily have to be connected with the graphics industry as long as they embody visionary leadership in their respective fields. The purpose of choosing celebrities as Franklin Award recipients is to focus attention on graphic communications and to promote its contributions to culture and society.

This year’s honoree, Shannon Miller, does have an industry connection in that her husband manages a 75-year-old commercial printing business in Jacksonville, FL. But, her celebrity stems from her extraordinary record as the most decorated gymnast in U.S. history. She is the holder of more than 100 national and international competition medals, the majority of them gold. Miller won seven Olympic medals for gymnastics—two gold, two silver, three bronze—and is the only female athlete to be inducted into the U.S. Olympic Hall of Fame  twice (for individual and team performance).

Professionally, she is a promoter of health and wellness for women and children, spreading the message with a weekly talk radio program and a series of books and DVDs. Miller also is a motivational speaker and a sports commentator/analyst.

Having survived a rare form of ovarian cancer in 2011, she became an advocate for early cancer detection and treatment among women. She referred to her struggle with the disease in her Franklin Award acceptance remarks, noting the lessons it inspired her to teach others about goal-setting, persevering, and staying positive in difficult circumstances.

Miller also mentioned the struggles of the printing industry in recent years, but saluted it for the progress it has made toward making print more important to consumers.

Responsible for the success of the 2013 Franklin Event are Tim Freeman, president of Printing Industries Alliance, and a 24-member Franklin Event Committee co-chaired by Brenda Barozzi (Pipeline ps) and Adam Avrick (Design Distributors). The affair also had the support of 35 platinum and gold sponsors.

Printing Industries Alliance is a regional affiliate of Printing Industries of America (PIA), the national trade association for the graphic communications industry. Printing Industries Alliance represents graphics firms in New York State, northern New Jersey and northwestern Pennsylvania.

Its next event in the metro area will be an October 9 dinner meeting in Plainview, N.Y. featuring consultant Kelly Allan, proponent of the “Prediction Game Method” of motivational business management. Details are available here.

Fitch Group Proudly Celebrates Its Longevity in NYC

fitchgroup.073013This late 19th-century photo shows Fitch Group employees gathering for a company outing. Baseball (note the bats) clearly was going to be part of the day’s recreation.

“Times have changed dramatically since Fitch Group opened for business back in the 1800s. As one of New York’s longest-operating printers, we’ve been through the evolution of multiple technologies in the industry. Through it all, we’ve managed to not only survive, but also to thrive through four generations— due in large part to our ability to adapt to an ever-changing landscape, according to John Fitch III, President of Fitch Group.”

So begins an engaging post from the Fitch Group blog that goes on to sketch the company’s 127-year history and its track record as an early adopter of game-changing graphic technologies. Today Fitch Group, located at 229 West 28th Street in Manhattan, is a full-service commercial printer that continues to have strong ties to New York City’s financial services industry.

Those ties—along with the company’s very existence—were gravely threatened after the World Trade Center attacks on September 11, 2001. That day, Fitch Group’s corporate headquarters and production plant, located less than 75 yards from the South Tower, were completely destroyed. Within a year, however, the company had completely rebuilt its facilities to emerge from the disaster with its staff and client base intact.

Hats off to Fitch Group for its resilience and its honored place in the history of the printing industry in the New York metro area. And, on an even sweeter note, congratulations to the company for landing some of the promotional printing associated with the relaunch of Hostess Twinkies. Read about it here.

 

Management Team Completes Buyout of Sandy Alexander Inc.

CLIFTON, NJ, July 22, 2103 – Sandy Alexander Inc., a premier graphic communications provider, announced today that its management team has completed a buyout of the company.

Terms were not disclosed. The transaction makes Sandy Alexander a privately held company owned exclusively by the management team, which remains intact.

“The management team is very excited about the change in ownership,” said Mike Graff, President and CEO of Sandy Alexander. “Our more than 300 employees also are very pleased with the ownership change. We believe that we are well positioned to continue to build a unique model that offers our broad customer base continued quality and service across many platforms.”

According to Graff, the 50-year-old company will continue to pursue strategic growth opportunities both organically and through acquisition. “Sandy Alexander will now be in a position to offer increased flexibility, independence, and focus through expansion in our depth of services,” he said. These include digital printing, web and sheetfed offset printing, retail visual merchandising, wide- and grand-format printing, direct mail, high-end retouching, and computer graphics.

Graff added, “We will continue to operate with the utmost attention paid to innovation, technology, and protecting the environment.” He called the opportunity created by the buyout a tribute to the founding members of a team who led the industry with their vision, dedication, and resolve.

About Sandy Alexander
Sandy Alexander Inc. is the largest independently owned, high-end commercial graphic communications company in the nation.  It serves the needs of Fortune 500 companies and many other enterprises on both a national and an international scale.

Sandy Alexander’s broad array of services ranges from digital solutions, sheetfed and web offset printing, inline finishing, personalization, direct mail, and wide- and grand-format printing to retail, visual merchandising, and installation. The scope of these offerings gives Sandy Alexander the flexibility and horsepower to provide the most impactful and efficient output for any campaign, regardless of substrate, size, or quantity.

Sandy Alexander also is a leader in protecting the environment with 100% wind energy and Sustainable Green Printing Partnership (SGP) certification. Its digital and wide-and grand-format facilities are carbon neutral, and it holds triple certification for chain of custody in paper sourcing.

For information about Sandy Alexander Inc. and its products and services, call 973-470-8100 or visit Sandy Alexander at http://www.sandyinc.com.