Gamma Epsilon Tau Fraternity Will Honor Dalton, Milkowski, and Romano at 2016 “Gold Key” Ceremony

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Tim Dalton, Meghan Milkowski, Diane Romano

Gamma Chapter of Gamma Epsilon Tau, the national graphic arts honor society, will present Gamma Gold Key Awards to Tim Dalton, Meghan Milkowski, and Diane Romano at its 2016 Gold Key Awards ceremony in New York City on June 1. The awards honor those who serve as role models through their exceptional records of service to the graphic communications industry.

Tim Dalton is a consultant and an educator who has worked in, visited, or audited more than 700 print shops during the course of his career. He also has a long track record of support for print industry trade associations. Dalton, who began as a press feeder, was an early proponent of bringing the benefits of information technology to graphic communications. This led him to become a specialist in computerizing printing operations in ways that helped printers eliminate bottlenecks and waste.

As an instructor, Dalton taught estimating and quality management at industry schools in Boston and New York for 25 years. He wrote a book on waste reduction that was published by the National Association of Printers and Lithographers (NAPL, now part of Epicomm), and he developed custom software for organizations such as Time4Media, BMG Music Group, and National Publishing Company. Dalton also audits chain-of-custody certification as administered by the principal forestry management organizations.

Dalton’s industry affiliations include Printing Industries of America, the International Association of Printing House Craftsmen, and the Education Foundation of the Graphic Arts, which he serves as treasurer. He also is an advisor to the Women’s Press Collective in Brooklyn and to the Advisory Committee for Technical Education in the Graphic Arts for the New York City public school system.

Meghan Milkowski currently is president of The Hill, an online news source for policy and political coverage. Her 25 years of publishing experience started at Life magazine, where she marked up pasteboards for prepress. Moving to Time magazine, she progressed from advertising production and plant operations to leadership roles in imaging, production, and business management.

Prior to joining The Hill, Milkowski served as vice president of production and circulation at Prometheus Global Media, the owner of Adweek, Billboard, Clio, Film Journal International, and The Hollywood Reporter. Initially hired to managed print contracts, paper purchasing, and distribution of the publications, she also undertook project management for information technology initiatives including the launch of an iPad publishing solution.

In 2015, Milkowski was the recipient of a Luminaire Award from IDEAlliance and Printing Industries Alliance. The award recognizes media production leaders for their positive influence, creative excellence, and personal dedication to the graphic communications industry.

Diane Romano is one of the most prominent figures in graphic communications in the New York City metropolitan area. She currently is president and CEO of HudsonYards Studios LLC, a provider of integrated publishing and media solutions. She previously was group managing director of Schawk, Inc.; president of the media and entertainment group of AGT/Seven; and president of Applied Graphics Technologies (AGT).

Romano got her start in the industry as a draftsman in 1967. Two years later, she joined PPI in the art department and rose through the ranks to become its president. In 1988, PPI merged with The Kordet Group to form AGT (later AGT/Seven). Romano became president of AGT in 1995 and was instrumental in a subsequent series of deals that led to her present leadership position at HudsonYards.

She has been renowned throughout her career as a champion of industry causes, particularly in education. Romano is a longtime officer of and fundraiser for the Graphic Communications Scholarship Award and Career Advancement Foundation (GCSF), a volunteer group that has presented more than $500,000 in scholarship grants to metro area students. Her long list of industry tributes includes the Luminaire Award, the Naomi Berber Award, induction into the Printing Impressions Printing Industry Hall of Fame, the Florence B. and Leo H. Joachim Award, the Advertising Production Club’s Advertising Production Person of the Year Award, and induction into Printing Industries of America’s Ben Franklin Honor Society.

Gamma Epsilon Tau is a national, coeducational, collegiate printing fraternity in which students of printing and publishing can meet and interact in a professional and social atmosphere.  It has eight chapters at colleges and universities that offer degree programs in graphic communications.

Gamma Chapter of Gamma Epsilon Tau is located at the Department of Communication Design (COMD) of New York City College of Technology, part of the City University of New York. Gold Key honorees in recent years have included Mark Darlow, Mike Connors, Frank Romano, Bob Sacks, Annette Wolf Bensen, Michael Cunningham, Florence Jackson, Timothy Freeman, and Kathy Sandler.

The 2016 Gold Key Awards dinner will be held on Wednesday, June 1, at Club 101, 101 Park Avenue, New York City. For more information or to purchase tickets, contact Prof. Frank Adae at (718) 260-5833 or by e-mail: fadae@citytech.cuny.edu

GCSF’s Festive “Holiday Bash” Nets $10K for Graphic Scholarships

121015.gcsf_holiday_bash.1What’s the best way to raise $10,000 in a few hours for a worthy cause? Throw a party. But the cause needs to be the Graphic Communications Scholarship Foundation (GCSF), and the party needs to have been the well-attended affair that the foundation hosted at the Manhattan headquarters of the Art Directors Club on December 10.

The money collected from admissions and sponsorships, 100% of which goes to fund scholarships, was on top of the $100,000+ in grants that GCSF presented to 31 students at its annual award ceremony earlier this year. The foundation, an all-volunteer 501(c)3 corporation, has been doing this kind of good work on behalf students of graphic communications in the metro area for 13 years.

Along the way, its mission created a focal point for educational giving by other graphics industry groups and clubs throughout the area. Their donations help to fund the various scholarships that GCSF administers and presents, and their members show their support personally by turning out in force for the GCSF “spring fling” and “holiday bash” events that have become highlights of the industry’s social calendar.

GCSF’s principal partners are IDEAlliance, the Advertising Production Club of New York (APC-NYC), the Art Directors Club, The Navigators, and Printing Industries Alliance (PIA). On December 10, nearly 200 of their members gathered in space donated by the Art Directors Club for a celebration of the year’s accomplishments. Also on hand were those who helped GCSF make the bash possible: individual sponsors and representatives of companies that  furnished sponsorship contributions and raffle prizes (see lists below).

But, the evening’s real celebrities were the 12 students who came as GCSF’s special guests. They are among the 131 students to whom GCSF has made $526,000 in scholarship grants since its founding in 2002. Like their predecessors, they are graduates of graphic studies programs at metro area high schools who are pursuing academic degrees at leading colleges and universities where the discipline is taught. They earned their stipends by submitting academic records and creative portfolios for evaluation by GCSF.

121015.gcsf_holiday_bash.2Natalie Alcide, a recipient of multiple GCSF scholarship grants, with David Luke, a past president of the foundation

One of them was Natalie Alcide, who delivered a short keynote thanking GCSF and its supporters. Now a junior at New York City College of Technology (City Tech), she is in her fifth year of receiving scholarship grants from the foundation. If she enters a graduate-level graphic studies program, she can go on receiving them for a total of eight years.

Alcide’s career ambition is to win an art director’s spot at an advertising agency. She said that as helpful toward that goal as the scholarship funding has been the experience of learning from industry professionals through internship and mentoring opportunities provided by GCSF.

Watch this blog for further news of GCSF activities, including its 2016 scholarship awards ceremony when the details of the event are announced. In the meantime, please consider spreading holiday cheer and helping graphics education by purchasing holiday cards and posters created by student recipients of GCSF scholarships.

121015.gcsf_holiday_bash.3GCSF officers, trustees, and scholarship recipients, back row, from left: John Aaron, David Luke, Jerry Mandelbaum, Diane Romano, Natalie Alcide (recipient), David Garcia, Mark Darlow. Front row: Jack Kott, Ellen Hurwitch, Richard Krasner, Jessie Ann Murphy (trustee and recipient), Nick Patrissi, Valerie Buonaiuto (recipient).

The GCSF holiday bash sponsors included Blanchard Systems; Buy-Rite Robbinsville; Candid Litho/ Candid Worldwide; Canon; DALIM Software; Thomas Saggiomo, dg3; Hearst Magazines; HudsonYards; Konica Minolta Business Solutions; LB Graph-X & Printing; Mark Darlow, Graphic Art Supply; Robert S. Rosenbaum; RR Donnelley; Unimac Graphics; Valerie Merone, Victoria’s Secret; and Xerox.

The raffle gift donors were Canon; Pantone; Adobe; DALIM, Bricco Ristorante Italiano, Christine Aaron, Showtime, RedTie, LB Graph-X, and Highroad Press.

Students Join the Party at 2015 Franklin Luminaire Event

100515.franklin_luminaireThis happy group consists of trustees, students, and supporters of the Graphic Communications Scholarship Foundation (GCSF) enjoying the festivities at the 2015 Franklin Luminaire Awards event at Chelsea Piers 0n October 1. The generosity of sponsors enables students to attend the gala affair free of charge so that they can network with potential employers. Money raised at the event helps GCSF to provide much-needed financial support for New York City metro area students pursuing careers in graphic communications. For a complete description of the evening and its honorees, please see our report at WhatTheyThink.

“Digital Printing Think Tank” Event Shaping Up as a Must-Attend on Oct. 28

Printing Industries Alliance has announced the addition of Kodak, Vits International, and Kolbus as sponsors for its “Digital Printing Think Tank” event on Wednesday, October 28 at Club 101 in Manhattan (101 Park Avenue at 40th Street). They join Xerox, HP, Ricoh, Konica Minolta, RedTie, Muller Martini, and International Paper as sponsors of the all-day program on digital opportunities for printing firms.

The opening panel will feature a group of large and small printing firms that cut across the digital printing market. Mark Michelson, editor of Printing Impressions, will moderate the discussion about the path the companies took to the present and their plans for the years ahead. Panelists will include Cheryl Kahanec (EarthColor), Glen Boehmer (Sentinel Printing), Ron Sizemore (Influence Graphics) and Tim Boucher (B Squared).

The luncheon speaker will be Jeff Hayzlett, former Kodak CMO, primetime radio and TV host, and business author. His theme will be “Think Big, Act Bigger: The Rewards of Being Relentless,” which is also the title of his latest book. The first 100 registrants will receive a copy of it.

A panel of marketing executives from leading digital print technology vendors will discuss how they guide press owners in marketing digital printing and growing the market. Moderated by digital printing expert Marco Boer (IT Strategies), the panel will include Dave Wigfield (Xerox), Marc Johnson (HP), Gavin Jordan Smith (Konica Minolta), Shawn Lawson (International Paper), Andy Featherman (Muller Martini), and Vahaaj Khan (Kodak).

The all-day event (see the complete agenda here) will also be a networking opportunity enabling participants to compare notes and speak with sponsoring vendors. The cost of an individual registration is $149 and includes lunch and refreshments. To register, contact Kim Tuzzo at (716) 691-3211 or by e-mail at ktuzzo@pialliance.org

Vendor sponsorships are still available and will include two vendor staff tickets and three tickets for customers or prospects. The vendor sponsorship is $650 for those who are already annual PIA Platinum sponsors and $950 for others. A low-cost conversion to Platinum Sponsorship status will be available. Sponsors will receive recognition through event PR, literature, and signage.

For sponsorships contact Marty Maloney at (203) 912-0804 or by e-mail at m.maloney@bmcorp.com or mmaloney@pialliance.org

Printing Industries Alliance
“Town Hall” Meeting on Long Island Addresses Risks and Opportunities in New Technologies

Glen Boehmer (Sentinel Printing), left, and Tim Freeman (Printing Industries Alliance) lead the town hall meeting that took place on September 24 in Melville, NY.

Talking about new printing technologies is easy. Bringing a new solution into a printing business is another matter. There’s the cost of acquisition, the operating expense, the learning curve, and above all, the nagging question of whether the shop actually can make money with the equipment once it’s on the floor. It can be baffling, and sometimes the wish to go in a new direction doesn’t survive the uncertainty.

Printing Industries Alliance understands conflicts like these, and on September 24, it tried to assist its members on Long Island with a “town hall”-style meeting on the challenges of making the right investment decisions in emerging technologies for graphic production. The session was facilitated by Glen Boehmer, president of Sentinel Printing (Hempstead, NY), whose general advice was to keep an open mind about new technologies even when they do not appear to be a good fit.

“Every process has its reason for being alive,” Boehmer said, noting that a technology that does not work for a shop today may become the thing that helps to support it tomorrow.

With that, he led the group in a free-ranging discussion of their options in digital printing, software, workflow, and 3D printing. He asked the attendees first to gauge their own awareness of these technologies, and then to analyze what might be holding printers back from seeking more information about them.

The result was a lively back-and-forth that Boehmer kept going with pointed questions, flip-chart team exercises, and personal anecdotes that other shop owners in the group could readily relate to. Some highlights from the evening:

• Most agreed that the biggest barrier to implementation is “fear”: of confronting change, of adding cost, of becoming trapped in a commodity business. A practical consideration is space: will the shop have enough room to accommodate the new piece of equipment?

• Management information systems (MIS), especially those tied to customer-facing web-to-print (W2P) portals, streamline production and eliminate job touch points that cost printers money. Boehmer pointed out that for a fully automated producer such as Vistaprint, “the only touch point is the shipping.” But, MIS by itself isn’t a cure-all. It isn’t possible, Boehmer said, to automate or optimize “broken” processes in a shop with software.

• Wide-format printing is seen as an opportunity because the cost of entry is relatively low and the business is driven not by quality, but by the vast range of substrates the devices can image. Boehmer said that although the market is “close to flooded” with wide-format providers, “virtually nobody on Long Island” offers dye sublimation: a thermal wide-format process for printing rich color on textiles and fabrics.

• Andy Featherman of Muller Martini reminded the group that success with digital printing is as much about the finishing as it is about putting toner or ink on the sheets. He said that a finishing system operating in a “barcode-enabled touchless workflow” can guarantee accuracy by accounting for every barcoded sheet in the run.

• There is a reason why 3D printing, projected to be a $15 billion market by 2019, has attracted the attention of 4Over and other mainstream print providers, according to Boehmer. He said that the technology is “the same business we’re in” because it starts with a digital file and ends with a physical representation of an image.

• He asked the group to imagine taking digital files of portrait photography and turning them into “family dioramas” of three-dimensional keepsakes—a type of mass-market product that providers of 3D printing services offer now. With 3D printing, Boehmer said, commercial shops can add a profit-generating business-to-consumer (B2C) dimension to the business-to-business (B2B) economic model that most of them are locked into.

One way to offer an unfamiliar technology to customers without directly investing in it is to outsource the work to a partner equipped to provide the service, Boehmer said. He concluded by reviewing a checklist of questions to ask before committing to anything new. Among them:

• Will this technology make my business more sellable? Who would buy the business?

• Do I have people in my business who understand and can help me implement?

• What are the marketing and sales channels needed to bring in business? Where will the business come from?

• How quickly can you achieve an ROI from this investment? What profit levels can you achieve?

• Can you see yourself in that business?

• If you don’t add these capabilities, how will it affect your business?

“If I have more to sell, that takes the fear away,” Boehmer said. That’s what justifies the investment and the risk—but enthusiasm for the new technology has to be there as well.

“If you’re not juiced about it, I don’t think you should go there,” he said.

Call for Panelists: UV LED 2015

Are you planning to attend the UV LED 2015 conference in Troy, NY, October 28-29? WhatTheyThink, the event’s media partner, is looking for attendees who would like to take part in a panel discussion of the state of UV LED technology and its applications.

Printers with UV production experience are welcome, as are specifiers and buyers of UV printing. You don’t need experience with LED (light emitting diode) curing—just a wish to learn more about it and a willingness to talk about where UV LED printing might fit into your future plans.

Interested? Contact Patrick Henry, WhatTheyThink’s editor for labels and packaging, at patrick.henry@whattheythink.com, or call him at (917) 647-0590. For more infomation about UV LED 2015, visit http://uvled2015.com/

Early Sponsors for PIA’s “Digital Printing Think Tank” Include Xerox, HP, Muller Martini, Konica Minolta, International Paper, and RedTie

Printing Industries Alliance, the trade organization for the graphic communications industry in New York State, northern New Jersey, and northwestern Pennsylvania, has named the first six sponsors for its “Digital Printing Think Tank” program. The all-day event will take place on Wednesday, October 28th at Club 101, 101 Park Avenue at 40th Street in Manhattan.

The early sponsors are Xerox, HP, Muller Martini, International Paper, Konica Minolta, and RedTie. Several new sponsors will be named shortly. The number of sponsors for the event is limited to 20.

The interactive event will detail the trends and patterns in digital printing from high-quality, short-run sheetfed to production web inkjet. All applications will be explored, including high-end and production commercial printing; wide format; labels and packaging; and publications.

The opening panel will feature a group of large and small printers that cut across the digital printing market. Moderator Mark Michelson, editor of Printing Impressions, will lead them in a discussion about their paths to the present and to the years ahead. It is predicted that digital printing, which launched in 1993 and currently represents more than 20% of all printing, will account for 50% of all printing by 2030. Interactivity from the audience will be encouraged, and a Q&A session will follow.

Other panels will consist of leading marketing executives from digital printing vendors as well as consultants. They will discuss how they provide guidance in marketing digital printing and assistance in growing the market. High-profile keynote speakers (to be announced) will round out the day. The combination of expert presentations and actual printer experiences will give attendees the information they need to navigate the fast-evolving and rapidly growing digital printing market.

“Digital Printing Think Tank” will also offer a late-afternoon networking opportunity in which participants can compare notes and speak with sponsoring vendors.

An individual registration is $149 and includes lunch and refreshments. Vendor sponsorships will include two vendor staff tickets and three tickets for customers or prospects. The vendor sponsorship is $650 for those who are already annual PIA Platinum sponsors; $950 for PIA Associate Members; and $1,250 for nonmembers A low-cost conversion to Platinum Sponsorship status will be available. Sponsors will receive recognition through event PR, literature distribution, and signage.

For sponsorships, contact Marty Maloney, PIA executive vice president, at (203) 912-0804, or by email at m.maloney@bmcorp.com or mmaloney@pialliance.org

To register for the event, contact Kim Tuzzo at (716) 691-3211 or by email at ktuzzo@pialliance.org

GCSF Sets Record with $100,000+ in Scholarships to 31 Deserving Students

IMG_1260GCSF beneficiaries and benefactors pose as a group at the Hearst Tower on June 18

Higher education is expensive, and as most students discover, finding the money to pay for it can turn into a preoccupation. That’s why scholarship funds exist: to take away some of the financial pressure so that the focal point of students’ lives can be their academic pursuits, not anxiety about tuition bills.

The Graphic Communication Scholarship, Award and Career Advancement Foundation (GCSF) has been providing this kind of philanthropic relief for 13 years, and on June 18, the group disbursed a record amount of it to metro area students enrolled in or about to enter college-level graphic studies programs. The awards ceremony at the Hearst Tower in Manhattan saw the presentation of more than $100,000 worth of stipends to 31 recipients, the largest distribution that GCSF has made since its founding in 2002.

The money consisted of grants from 20 individual scholarship funds coordinated by GCSF, a 501(c)3 corporation that acts as an umbrella organization for the financial support of graphics education in the metro area. Ten of the scholarships were provided by the Advertising Production Club of New York (APC-NY). The rest were grants from industry groups and clubs or funds named in memory of prominent industry figures.

IMG_1200David Luke (at lectern), who served as president of GCSF from 2012 to 2014, officiates with the help of Jerry Mandelbaum, the foundation’s current president

To date, GCSF has presented $526,000 in scholarships to 131 students attaining academic degrees in graphic arts, design, production, and related subjects at some of the nation’s most prestigious colleges and universities for these disciplines. Students in undergraduate and graduate programs can apply for grants, and many have received more than one stipend during their time in school.

Unique among printing industry scholarship funds in being established and operated entirely by uncompensated volunteers, GCSF does all of its own fundraising and manages its business affairs without an external support staff. One hundred percent of the money it collects is given to metro area students—there are no deductions for overhead or administrative expenses.

Its selection committee determines eligibility for scholarships by evaluating applicants’ SAT scores, grade point averages, portfolios, and other criteria. GCSF also offers a student mentoring program and sponsors fundraising social events like the June 4 “Spring Fling” at Ogilvy & Mather.

Besides saluting recipients, GCSF’s annual scholarship awards ceremony celebrates graphic communications as a whole and the aspirations it nurtures. On June 18, student speakers Valerie Buonaiuto and Annie Wong shared their feelings about what being able to enter the field meant to them.

“Graphic arts is my healthy obsession,” said Buonaiuto, a Bayside High School graduate who is on her way to Adelphi University. Wong, who said she was the first member of her immediate family to attend college, sees graphic design as a “visual means of solving problems” that she is tackling in her studies at Rochester Institute of Technology.

Keynote speaker Cheryl Kahanec (EarthColor), a leading expert in digital print production, told the students that printing “is no longer just about putting ink on paper—it’s about delivering messages” in concert with other graphic media. She said that the scholarship recipients were fortunate to be entering the industry at an exciting time, and she thanked the volunteers of GCSF for helping to make this possible.

“They believe in you students and your futures,” Kahanec said.

IMG_1212Keynote speaker Cheryl Kahanec is thanked for her remarks by David Luke, Jerry Mandelbaum, and Mark Darlow

Tributes to absent friends were paid in the form of newly created memorial scholarships in the names of Stephen D. Server and Nina Wintringham. Server was a co-founder of the company that became Applied Graphics Technologies, which at one time was the world’s largest provider of publication prepress services. Wintringham is well remembered as a leader of graphics industry organizations and as an organizer of many of their most important activities.

Diane Romano (HudsonYards), GCSF second vice president, characterized Server as a “disciple of continuous improvement” whose innovations in electronic and digital prepress helped to transform magazine production. “He would be so thrilled to know his name is on a scholarship,” she said.

Strong emotion could be heard in the voice of Katerina Caterisano (Network Design and Communications Inc.) as she recalled working with Wintringham and others to found Women in Production (now part of the P3 network). She told the students that her friend’s advice to them would be, “Live a beautiful life, get educated, and pass your good fortunes along to others.”

IMG_1232_1240_croppedDiane Romano (left) and Katerina Caterisano pay tribute to the memories of industry figures Stephen D. Server and Nina Wintringham

Each year, GCSF bestows its “Champion of Education” award on an industry member who has done exceptional work on behalf of academic study or professional development in graphic communications. Accepting it on June 18 was Patrick Henry, a journalist, an editor, and an educator who is also the creator of this blog. His advice to the students:

“Always be serious about your work.

“Never be content to give less than the best quality you are capable of delivering.

“Respect your deadlines, and stay absolutely focused on making things happen and getting things done.”

Do all of these things, Henry said, “and you have my word—you will succeed in this industry.”

Patrick Henry accepts GCSF’s “Champion of Education” award for 2015

GCSF’s current slate of officers includes Jerry Mandelbaum, president; Ellen Hurwitch, first vice president; Diane Romano, second vice president; Steve Kennedy, treasurer; and Nick Patrissi, secretary.

The foundation’s trustees are John Aaron, Mark Darlow, William Dirzulaitis, Vincent Forgione, David Garcia, Jack Kott, Richard Krassner, David Luke (also GCSF’s immediate past president), Jessie Ann Murphy, Linda Nahum, Jack Powers, Laura Reid, and Howard Weinstein.

GCSF enjoys the support of numerous individual and corporate donors. To become one of them, e-mail Jerry Mandelbaum.

Two Late-Spring Events Show That Raising Money for Industry Education Is Good Work for All Seasons

1.ggk.052815_gcsf_spring_fling.060415Printing Industries Alliance president Timothy Freeman (second from left) accepts the Gamma Gold Key Award from Gamma Chapter, Gamma Epsilon Tau. The presenters are, from left, William Dirzulaitis (Printing Industries Alliance), Jack Powers (International Informatics Institute), and Prof. Frank Adae (New York City College of Technology)

By late May and early June, classes at most metro area schools are over—but the graphics industry’s efforts in support of education are just shifting into high gear. Two recent social events in New York City reaffirmed that the industry’s commitment to students of graphic communications is as strong as ever and that members of the industry enjoy showing their support in one another’s good company.

One event has long been a fixture on the industry’s convivial calendar, and the other is new. On May 28, as it has in nearly every year since 1956, the Gamma Chapter of the Gamma Epsilon Tau graphic arts honor society inducted new student members and presented Gamma Gold Key Awards to industry figures whose careers exemplify the values of education.

June 4 brought several hundred revelers to the New York headquarters of Ogilvy & Mather for a “Spring Fling” on behalf of the Graphic Communications Scholarship, Award and Career Advancement Foundation (GCSF), a group with a track record as imposing as its name in raising money for metro area graphics students preparing for careers in the field. This party, being held for the first time, heralded the upcoming GCSF event on June 18 at which students either attending or bound for colleges with graphic studies programs will receive their stipends for 2015.

2.ggk.052815_gcsf_spring_fling.060415Kathy Sandler, senior manager, content applications and digital workflow development at Penguin Random House, is honored with a Gamma Gold Key Award

The highlight of the May 28 gathering at the 101 Club in midtown Manhattan was the addition of Timothy Freeman and Kathy Sandler to the long and distinguished list of Gamma Gold Key Award recipients.

Freeman, a professional trade association executive, has been connected with the printing industry since 1984. He is the person primarily responsible for preserving and strengthening Printing Industries Alliance, the membership organization that unites printing companies and related businesses in New York State, northern New Jersey, and northwestern Pennsylvania.

Sandler’s 30-year career in magazine and book production technology epitomizes many of the most important advancements in those fields. She has held senior management positions at top publishing houses and has been a leader of most of the publishing industry’s principal trade groups for production professionals.

After the award presentations to Freeman and Sandler, a candlelight induction ceremony brought three more students into Gamma Chapter’s august ranks. This honor society aims to instill values that drive professional success and inspire a career-long commitment to supporting and serving the graphic arts industry.

3.ggk.052815_gcsf_spring_fling.060415First photo: Steve Caputo (left) received an award for his four decades of service as an instructor and a technician of graphic arts at New York City College of Technology. MaryAnn Biehl, chair of the school’s Department of Communication Design, joined in paying tribute. Second photo: the lighting of candles stands for the illuminating power of the graphic arts in the ceremony inducting City Tech students into Gamma Chapter, Gamma Epsilon Tau

Besides saluting students and industry leaders, the Gamma Gold Key Awards program also spotlights the role of New York City College of Technology (City Tech) as a leading center of graphics education for the metro region. Gamma Epsilon Tau’s Chapter’s Gamma Chapter is located there as an activity within the Department of Communication Design (COMD), an undergraduate program that has been training people for careers in graphics for more than 60 years.

The department, formerly focused on advertising design and traditional graphic arts manufacturing, has broadened its academic scope to include curricula in new and emerging forms of visual communications. It now offers associate and bachelor’s degree programs that enable students to specialize in advertising, graphic, web, and broadcast design or gaming, animation, and illustration.

Chaired by MaryAnn Biehl, who gave an update during the Gamma Gold Key Awards program, the department currently enrolls about 1,000 students from throughout the metro area. It recently completed a two-year self-study exercise that will lead to an important academic accreditation from the National Association of Schools of Art and Design (NASAD). A new curriculum in communication design management is to be launched in the fall semester. At a later date, the department will relocate to an expanded media center being developed in refurbished space at City Tech’s downtown Brooklyn campus.

Students from City Tech have always been among the recipients of GCSF scholarships, as have students from other, equally prestigious colleges and universities offering undergraduate and graduate programs in graphic communications. The foundation has presented $526,000 to 131 students since it began collecting money in 2002, and on June 18, the value of the stipends will be the richest yet: $110,000 for 31 students who will assemble with their families at the Hearst Tower to become the latest beneficiaries of one of the most exceptional fundraising efforts anywhere in the industry.

4.ggk.052815_gcsf_spring_fling.060415Scenes from the “Chocolate Factory” at 636 11th Avenue in Manhattan, a locale better known as the New York headquarters of Ogilvy & Mather and most recently the site of GCSF’s “Spring Fling”

The June 4 “Spring Fling” at Ogilvy’s space on the far West Side wasn’t entirely without precedent—GCSF held a “holiday bash” along similar fundraising lines at The Art Directors Club last December. Like that festivity, the “Spring Fling” was all about raising awareness of the need for more donations, more involvement, and more activism on behalf of industry education. The foundation, a 501(c)3 corporation that operates entirely through the work of volunteers, has become a focal point for education in the metro region and is actively supported by other industry groups that share its aims.

5.ggk.052815_gcsf_spring_fling.060415Recognized at the “Spring Fling” were four who will be honored at the Franklin Luminaire Awards event on October 1: Veronica H. Simmons (MRM/McCann), Meghan Fitzgerald Milkowski (Prometheus Global Media), Charles Blanchard, Jr. (Blanchard Systems Inc.), and Michael J. Simon (Publishers Press Inc.)

For example, 10 of the grants to be presented on June 18 are funded through a sponsorship donation from the Advertising Production Club of New York (APC-NY). At the “Spring Fling,” GSCF booster Diane Romano announced that proceeds from the October 1 Franklin Luminaire Awards event (a joint production of Printing Industries Alliance and IDEAlliance) would be donated to the scholarship fund.

GCSF also has a growing list of corporate supporters that contribute cash, gifts for scholarship recipients, mentoring assistance, and other kinds of help. On June 4, representatives of these companies mingled with a cross-section of publishers, advertising and media professionals, creatives, print service providers, and industry technologists for what was both a sophisticated cocktail party and a pride-inducing show of the industry’s determination to take good care of its youngest, best, and brightest in the metro area.

The sign says it all about the breadth of industry support for GCSF and the students it serves in the metro area

6.ggk.052815_gcsf_spring_fling.060415

Patrick Henry To Be Honored as “Champion of Education”
 by Graphic Communications Scholarship Foundation

PH_headshotThe Graphic Communications Scholarship, Award and Career Advancement Foundation (GCSF) will present its 2015 Champion of Education Award to Patrick Henry, a longtime journalist and educator in the field. Part of GCSF’s 13th Annual Scholarship Awards Celebration on Thursday, June 18, in New York City, the Champion of Education Award honors exceptional individuals who have helped to prepare the industry’s next generation of talent and leadership.

Henry began covering the graphic communications industry during the desktop publishing revolution in 1984, when he became managing editor of Printing News. Since then, as an editor of or a contributor to most of the industry’s leading trade media, he has published many hundreds of articles on business trends and technological developments in graphic communications. He is a co-author of a textbook, The Magazine Publishing Industry. He also wrote the chapter on book manufacturing for Volume 5 of A History of the Book in America.

An adjunct lecturer in graphic communications for master’s degree programs at New York University since 1987, Henry also has taught undergraduates at New York City College of Technology. He is the recipient of numerous honors for industry service and education, including the Florence B. and Leo H. Joachim Award; the Gamma Epsilon Tau Gold Key Award; and the Tom McMillan Award for Journalistic Excellence.

Henry currently is an editorial manager for WhatTheyThink. He also operates Metro Graphics Reporter, a news resource for the graphics industry in the NY-NJ-CT metropolitan region.

The award to Henry will be among the highlights of “The Future of Graphics,” a special program paying tribute to the latest recipients of GCSF scholarship grants. The keynote address will be delivered by Cheryl Kahanec (Earthcolor), a leading authority on digital print production. The event also will feature the inaugural presentations of scholarships in memory of industry figures Steve Server and Nina Wintringham.

GCSF’s 13th Annual Scholarship Awards will take place at 5:30 p.m. on Thursday, June 19 in the 3rd-floor Atrium and Joseph Urban Theatre of the Hearst Tower, 300 W. 57th Street in Manhattan. Admission is free, but all attendees must pre-register by e-mailing a request for entry to Jerry Mandelbaum at jmandelbaum@601west.com.

The Graphic Communications Scholarship, Award and Career Advancement Foundation is an all-volunteer, 501(c)3 non-profit organization that provides financial support to New York City metro area students pursuing careers in graphic communications. Since its founding in 2002, GCSF has given more than $500,000 in stipends to 131 students in graphic studies degree programs at leading institutions in the field.

This year, 31 students will receive scholarship awards totaling $110,000, a significant increase in GCSF’s annual awards amount. Of the 31, 10 are being funded through a sponsorship donation from the Advertising Production Club of New York (APC-NY).