I’ve published a piece at the WhatTheyThink blog in response to last week’s outbreak of terrorist violence in France. As the world knows, a part of this terrible drama was played out at a printing plant near Paris. I couldn’t let the symbolism of the incident pass without comment. Sad but necessary to say, as members of the printing industry, we are all in this fight for freedom of expression together.
The mood couldn’t have been more festive, the setting more sophisticated, or the cause more worthy as nearly 300 members of the industry gathered at the Manhattan gallery of The Art Directors Club to celebrate the both the holidays and the outstanding work of the Graphic Communications Scholarship Foundation (GCSF).
The December 11 event was notable not only as a social get-together, but also as a revival of camaraderie among groups and clubs that continue to represent graphics professionals in the New York City metro area. Six organizations joined in supporting the holiday bash, while numerous individual friends of the industry contributed time, cash, and gifts to help make the evening a success. Veterans who remember the industry’s annual rounds of Christmastime banquets and parties of 20 to 30 years ago heard many echoes of those much-missed affairs in the clink of glasses and the buzz of conversation at the gala for GCSF.
To those who attended, the scholarship fund needed no introduction as the metro area’s leading source of stipends for young people taking academic degrees in graphic communications and related disciplines.
A 100% volunteer organization that operates without professional staff or overhead expense, GCSF has distributed a total of $416,000 in scholarships to 116 students of graphic design and production since the fund’s inception in 2002. The not-for-profit 501(c)3 corporation acts as a coordinator for a large number of individual scholarship funds and gives all of the money collected through them to students attending or bound for colleges and universities with degree programs in graphic studies.
Although scholarship recipients can use their stipends at any school with a recognized graphics studies program, GCSF’s hope is that most of them will bring what they learn back to the metro area by pursuing their careers here. To encourage this, GCSF has established a one-to-one mentoring program that pairs students with industry pros for 12 months at a minimum of two contact hours per month. Fifteen students currently are taking advantage of this structured opportunity to gain hands-on experience in graphics-related career fields.
GCSF’s annual scholarship awards presentation ceremony is a high point on the industry’s calendar of events. The tentative hold date for the 13th Annual GCSF Scholarship Awards Celebration and Ceremony at the Hearst Tower is Thursday, June 18, 2015. About a year and a half ago, the fund’s governing committee also began to talk about a year-end celebration to raise additional awareness for the fund and to give the industry in the metro area a new focal point for its still-vigorous fraternal spirit.
The result was the December 11 bash, which included, besides GCSF and the The Art Directors Club, the participation of Printing Industries Alliance, The Advertising Production Club of New York (APC-NY), IDEAlliance, and The Navigators (a club well remembered by many for its Service to Industry Award program). The evening also featured the inauguration of memorial scholarships in the names of industry figures Nina Wintringham and Steve Server, as well as a toy drive on behalf of the Harlem Children’s Zone. (So many toys were donated that some of them were sent to Schneider Children’s Hospital as well as to the Harlem organization.)
Richard Krasner, a past president of the fund and one of the event’s lead organizers, said that the joint support of the groups drove a turnout that enabled GCSF to cover the costs of the party at a ticket price of just $25. According to Krasner, more than a third of those who attended gave cash donations over and above the ticket price. Hearst and Time Inc. helped by buying blocks of tickets for employees.
Jerry Mandelbaum, GCSF’s current president, said that although fundraising wasn’t the primary reason for the holiday bash, the event pulled in almost $15,000 for scholarships from net proceeds, tickets and raffles, and group and individual contributions and donations.
Krasner said GCSF hopes that the financial and social success of the holiday bash will turn it into a “legacy evening” that the industry can use as an occasion for celebration and good fellowship in years to come. A date for the 2015 edition of the event will be announced.
In the aftermath of any affair that comes off as happily as GCSF’s first holiday bash, thanks and recognition are due in abundance. GCSF gave a special shout-out to Olga Grisaitis and Hugo Verdeguer of The Art Directors Club for their help in making the first-floor space at the gallery on West 29th Street available for the party. Also thanked were those who contributed gifts for a fund-raising Chinese auction: Hallie Satz (Highroad Press), Paul Nicholson (Showtime), Diane Romano (Hudson Yards), David Garcia (LB Graph-X), and Ellen Hurwitch (RedTie Ltd.). Howard Weinstein got credit for sending personnel from Candid Litho to assist with setup and cleanup.
The planning committee for the holiday bash included Richard Krasner, Diane Romano, Ellen Hurwitch, and Mark Darlow. The current slate of GCSF officers includes Jerry Mandelbaum, president; Ellen Faith Hurwitch, vice president; Diane Romano, vice president; Steve Kennedy, treasurer; Nick Patrissi, secretary; and David Luke, immediate past president.
Our thanks and congratulations to everyone concerned for a swell affair and an uplifting reminder of the philanthropic unity of spirit that has always been our industry’s most distinguishing characteristic.
Printing Industries Alliance, the trade organization dedicated to supporting the success of the New York State, northern New Jersey, and northwestern Pennsylvania graphic communications industry, announced the appointment of Martin J. Maloney as its Executive Vice President, effective on December 1, 2014. Maloney, whose graphic communications career spans 40 years, brings a wealth of experience and knowledge in every facet of the graphic communications business to the position.
Timothy Freeman, President of the Printing Industries Alliance, stated, “We are very happy to have Marty Maloney on board. His vast printing experience and skill set will be immediately utilized in several areas, including membership, marketing, events and more. His strong voice in support of the printing industry has been heard for many years, and we now look forward to his staunch support of the Printing Industries Alliance.”
Maloney commented, “Over the years I have promoted several printers, large and small, and many of the world’s largest suppliers to graphic arts industry. Now I am taking that experience and applying it to the industry at large in perhaps its most important market. I am very pleased to be given this important opportunity.”
Maloney is currently Chairman of Broadford & Maloney Inc. (BMI), a full-service marketing, public relations, and advertising firm dedicated to serving the needs of the graphic communications industry. Starting in December, BMI is transitioning to a public relations and marketing consultancy that will serve only a few select clients.
In the last two decades, BMI’s long-term clients included HP Indigo, The New York Times, Xerox, DuPont, Procter & Gamble, Polaroid, Agfa and many more. Also served were hundreds of printers from RR Donnelley to the corner digital print shop. Before starting his own firm, Maloney was Chief Marketing Officer for Arcata, where he served on the LBO team to facilitate the nation’s first billion-dollar leveraged buyout. Previously he was Vice President, Marketing for the Graphics Division of John Blair & Company, which had 14 printing, mailing and marketing companies including Meehan-Tooker and Alden Press.
Concurrently with BMI he was a Board Director for Cenveo, a $2 billion printing firm with 90 plants. In this role, he served as Lead Director, Chair of Corporate Governance and sat on the Audit, Compensation and Search committees. He also was a founder and first Executive Director of The Print Council, an advocacy organization for the printing industry. On the legislative side he was Chairman of a 6,000-member PAC and served on the Finance Committee for a six-term Congressman.
Maloney is a longtime member of the Advisory Board of the department of Strategic Communications, Marketing, and Media Management (SCM3), part of New York University’s School of Professional Studies. He recently concluded a three-year term as Board Chair. SCM3 includes the master’s degree program in Graphic Communications Management and Technology, in which Maloney teaches graduate courses as an adjunct professor. Maloney is also a 20-year member of the Franklin Committee and was a four-time chairman of the event; he continues to serve on the Franklin Luminaire Committee. Maloney is a frequent speaker at industry functions.
Maloney will work from the newly established New York City satellite office of the Printing Industries Alliance in Park Slope, Brooklyn, in the exact center of the five boroughs and also equidistant from Long Island, northern New Jersey, western Pennsylvania, and New York’s Westchester County. The office is located at 195 Prospect Park West, Suite 1A, Brooklyn, NY 11215. The office number is 718-499-0401. Maloney’s direct dial and cell number is 203-912-0804. He can be reached via email at email@example.com or firstname.lastname@example.org.
About Printing Industries Alliance
Printing Industries Alliance provides a variety of consultative, informational, and cost saving services to support its members’ success and to provide a significant ROI on their dues investment. In addition, the organization provides industry representation to a variety of governmental entities at the local, state, and federal levels. Printing Industries Alliance is a regional affiliate of Printing Industries of America and is headquartered in Amherst, NY.
For further information contact:
Printing Industries Alliance
716-691-321 / email@example.com
Commentary: Marty’s impressive list of career achievements speaks for itself. But, what the announcement may not convey to those who don’t know him personally is the depth of his charismatic and inspirational leadership style. I’ve enjoyed the pleasure and the privilege of his acquaintance for many years, and, speaking also as a member of Printing Industries Alliance, can say that I’ve never seen a better match of personality to position than the one that underlies Marty’s acceptance of this important job. In recruiting Marty, Tim Freeman has picked someone fully capable of sustaining the exemplary tradition of industry service established by Vicki Keenan, Marty’s predecessor in the role. The fact that he’ll be representing the association from a home base in Brooklyn means that at long last, NYC-metro printers will have a resident spokesperson and a problem-solver for the five boroughs in their midst once more. Here’s wishing Marty all the best, and here’s a salute to Printing Industries Alliance for a brilliant choice on behalf of its members everywhere.
Printing Industries Alliance (PIA) announces the retirement of Vice President Vicki Keenan, effective October 1, 2014.
Vicki joined the organization as Vice President in 2006 as part of its expansion into the New York metro region. She made an immediate and positive contribution by assisting the organization in understanding the various elements and concerns of the metro New York graphic communications industry.
From 1993 to 2006, Vicki served as Vice President, Executive Vice President, and President of the Association of Graphic Communications (AGC), a former regional affiliate of Printing Industries of America. A consummate professional, Vicki has devoted much of her career to representing the industry’s interests with regard to federal, state, and local governmental affairs. In this capacity, she has been involved in a variety of critical issues including sales tax on postage and direct mail, clean air regulations, and creation of an $8 million Printers Relocation Fund, to name just a few.
Vicki started her career in Washington, D.C., with successful positions as a senior government and public affairs representative for the National Newspaper Association, Bechtel Corporation, and the American Consulting Engineers Council.
She has served for many years on the New York City Department of Education’s Graphic Arts Industry Advisory Commission. She was a founding board officer of the Graphic Communications Scholarship Foundation and a member of the East Orange (NJ) High School Printing and Graphic Communications Center Advisory Committee. She represented the industry on two New York City Mayoral Advisory Committees, Small Business and Graphic Arts. In 2012, she was honored with the Gold Key Award and inducted as an honorary member of Gamma Chapter, Gamma Epsilon Tau, an international Graphic Arts Honor Society at New York City College of Technology.
Vicki also has been instrumental in developing the annual Franklin Event (now the Franklin Luminaire Awards) into the premier networking event in the graphic communications industry.
In making the announcement, PIA Chairman Patrick R. Ryan commented, “PIA and our industry owe Vicki Keenan a debt of gratitude for her dedicated years of service and work on behalf of us all. Best wishes for a happy and healthy retirement!”
PIA President Tim Freeman remarked, “I have been pleased to call Vicki a friend since the day she started at AGC. We have worked together on a number of important industry issues through the years, and much of the success we have achieved on these issues should be attributed to her business acumen and political savvy. Her knowledge and perseverance have always been big industry assets that will be hard to replace. Please join the PIA membership, Board, and staff in wishing Vicki all the best for happy and healthy retirement.”
Vicki Keenan will be honored with a Lifetime Achievement Award at this year’s Franklin Luminaire Awards program on September 17, 2014 at Pier Sixty in Manhattan. For further information contact Printing Industries Alliance at 716-691-3211.
Printing Industries Alliance, a printing trade organization with offices in Amherst, NY, and Roselle Park, NJ, serves graphic communications firms in New York State, Northern New Jersey and Northwestern Pennsylvania.
COMMENT: This writer has had a decades-long relationship with print industry trade groups, past and present, throughout the New York metro region. No officer that I have ever met in any of these organizations has done as much to defend and promote the industry’s interests in the public sphere as Vicki Keenan. As PIA members know well, virtually every print-friendly legislative or regulatory change that has taken place in the region over the last 20 years bears her imprint. A consummate governmental insider with the instincts and the skills of an investigative journalist, Vicki has compiled a record of service to the industry that is unique among association executives. It’s a pleasure to add my voice to what’s sure to be an enormous chorus of gratitude and praise on the occasion of her retirement.
On June 19, 2014, I had the privilege of interviewing Joel Quadracci, chairman, president, and CEO of Quad / Graphics Inc., in his keynote presentation at PRIMEX East, a leadership conference in New York City sponsored by IDEAlliance, Quad, and other industry partners. Answering my questions on behalf of WhatTheyThink, and fielding numerous additional questions from the audience, Quadracci covered a wide range of subjects relating to the state of the industry and Quad’s role in it. IDEAlliance has now posted the video recording of the nearly hour-long interview along with recordings of most of the other PRIMEX East sessions. These include remarks on the outlook for the U.S. Postal Service by its Postmaster General, Patrick R. Donahoe; and a report on the continuing turmoil in the periodical distribution industry by a leading authority in the field, John Harrington of Harrington Associates.
Leave it to polymath Jack Powers to inspire students with a quipu, the string of “talking knots” used by the Incas as a data recording device hundreds of years ago.
Wielding a quipu knotted with the major events of his own life as a metaphor for personal development, Powers accepted the 2014 Champion of Education Award from the Graphic Communications Scholarship Foundation (GCSF) at its 12th annual scholarship awards presentation ceremony on June 19. He directed his quipu lesson mainly at 28 students who shared $56,000 worth of study grants from GCSF, which has presented a total of $416,000 in scholarships to 116 students of graphic design and production since the fund’s inception in 2002.
GCSF is a 501(c)3 not-for-profit corporation that has grown from a back-of-the-envelope project into one of the industry’s most noteworthy sources of funding for professional education. Its donors include printing companies, technology suppliers, publishers, trade associations, and individuals. Under the supervision of David Luke (DAL Consulting), its current president, GCSF remains an all-volunteer initiative that has no paid staff, no overhead expenses, nor any mission other than channeling 100% of the money it raises to deserving students.
The presentation ceremony, which takes place at the Hearst Tower Atrium in Manhattan, sees the addition of new scholarship grants almost every year the event is held. This year, GCSF trustee Diane Romano (Hudson Yards) introduced the John Tempest Memorial Scholarship Award, co-sponsored by the Advertising Production Club. It becomes one of more than two dozen scholarship programs now administered by GCSF, which establishes criteria for receiving the grants and evaluates student portfolios submitted in application for them. Applicants, who must be New York City metro area residents, can attend any college or university with an accredited graphics program.
Tempest scholarship donors include the DEER Foundation of IDEAlliance and Printing Industries Alliance (PIAlliance), both of which counted the grant’s namesake as a board member during his lifetime. The two groups are sponsors of the combined Franklin Luminaire Awards event in the fall, which will donate its net proceeds to fund GCSF scholarships.
At the ceremony, GCSF also inaugurated a mentoring program to provide career-focused learning experiences for New York metro area college students pursuing careers in graphic communications. The four-year plan includes one-on-one coaching, workplace assignments, plant tours, participation at trade shows and events, and other activities designed to streamline their entry into the industry.
In all of these ways, GCSF serves high school, college, and graduate students throughout the New York City metro area who are preparing for or are enrolled in some of the country’s most prestigious graphic studies programs. GCSF scholarship recipients—many of whom have earned more than one yearly grant—attend or soon will attend The School of Visual Arts, Rochester Institute of Technology, Pratt Institute, Parsons the New School for Design, and Rhode Island School of Design, among others.
First-year grant earner Tasnima Tanzim, a freshman at Pratt, said she spoke gratefully on behalf of all GCSF scholarship recipients who, like her, once feared that they couldn’t afford to attend the colleges of their choice. SVA senior Elizabeth Zalewski, a four-time recipient, said that the grants had been vital to her development as a creative and to the shaping of her future career.
The students owe their progress in no small way to the activism of Powers, a booster and a fundraiser for GCSF from the beginning. Powers has been a one-man army for graphics education in the metro region for more than 30 years, lending his time and talents to the area’s most important public and private efforts for training in the field.
Tristate industry veterans also know him as an evangelist for digital production workflows long before the terms “evangelist” and “digital production workflows” even existed. Although, as a technologist and a consultant, he has moved on to other areas of interest, Powers continues to be the advocate most strongly identified with changing the metro area’s mindset from analog production to the digital solutions its graphic service providers use now.
Powers got an introduction almost as singular as he is in an adaptation of the classic show tune “You’re the Top,” with personalized lyrics by Frank Romano (RIT) and a zingy rendition by GCSF co-founder Mark Darlow. Romano hailed Powers as, among many other things, “the most brilliant marketing person you have ever met.”
Using his quipu, Powers makes a point about life and the value of education.
He illustrated the trajectory of the honoree’s early career by displaying a punched paper tape that he said Powers had coded to drive typesetting equipment in 1978. According to Romano, Powers—the son of a Jersey City, NJ, printer—was the first observer to recognize the enormous significance of the Internet for the printing industry.
Powers’s quipu had knots for the launch of his consulting business, his marriage and the birth of his daughter, his recent attainment of a master’s degree, and his receipt of the Champion of Education Award. He pointed out that the string still had ample room for further milestones he intends to tie in.
Education largely determines how many knots of achievement a person’s lifeline will contain, Powers told the students. He also counseled them to “write stuff down”; to be skeptical of “free” amenities from social media and the cloud; and to “remember the people” who helped on one’s way up.
Above all, never forget that everyone’s quipu is finite. “You don’t know how long your string is going to be,” Powers said. “Be sure that your knots have value.”
Metro Graphics Reporter thanks Dona McKenzie (M.A. in Graphic Communications Management and Technology, 2014) for covering the event and providing the following post.
On June 17, more than 300 graphic communications and media professionals came together to raise funds for New York University’s Graphic Communications Management and Technology (GCMT) M.A. program at the 28th Annual Prism Awards Luncheon. In a departure from years past, Cipriani 42 was the newly chosen venue, a space that was both elegant and monumental in scale. The lively crowd mingled and networked at the opening reception as tuxedo-clad waiters passed around a never-ending supply of Bellini cocktails and sumptuous hors d’oeuvres.
After an hour of conversation and connections, the guests were gently ushered into the main dining area for the start of the program. There, William “Buzz” Apostol and Jennifer Bergin, Prism Committee Co-Chairs, welcomed everyone and thanked them for their continuing support of the GCMT M.A. program. The crowd enjoyed a tricolor salad of roasted beets with green beans and goat cheese while Dennis Di Lorenzo, Dean of NYU’s School of Continuing and Professional Studies (SCPS), took to the stage. Di Lorenzo praised the GCMT M.A. program for providing students with a “competitive skill set” learned under the guidance of working professionals in the media landscape.
Next, Dr. Joseph P. Truncale, GCMT professor and Advisory Board Co-Chair, gave a warm introduction for alumna Tina Powell, ’13, recipient of the Alumni Achievement Award for 2014. Powell, currently the Director of Business Management at Beacon Wealth Management, thanked her professors and former GCMT M.A. program director Bonnie Blake for their inspiration and their encouragement. She singled out faculty member Dr. Greg D’Amico for opening the most “important doors of all.” Powell finished by acknowledging the profound support of her family and friends. She graciously thanked her mother, saying, “to my mother, you will know my gratitude by the depth of my service.”
Scott Dadich, Editor-in-Chief of Wired, who accepted the 2014 Prism Award on behalf of recipient Charles H. Townsend, CEO of Condé Nast; and Tina Powell, recipient of the GCMT Alumni Achievement Award for 2014
Following lunch of prime roast filet of beef, risotto, and ratatouille, Paula Payton, Director of Strategic Communication, Marketing and Media Management Programs at NYU-SCPS, introduced Charles H. Townsend, Chief Executive Officer of Condé Nast. As Townsend, the recipient of the 2014 Prism Award for Distinguished Leadership, was unable to attend the event, monitors were placed throughout the venue so that the guests could see and hear his video thank-you. Townsend also expressed his deep appreciation to NYU for cultivating talent.
Accepting the Prism Award on Townsend’s behalf was Scott Dadich, Editor-in-Chief of WIRED. In a presentation entitled “The Future of Design, Invisible, Beautiful, Everywhere,” Dadich treated the audience to a micro- and macro-level look at the forces propelling contemporary trends in technology. He proposed that the main purpose of design is “human betterment’ and posited that “design doesn’t make things better, it makes them work.” Dadich argued that because of good design, “technology will fade into our everyday experience, instead of pulling us away from it.”
He said that the trends to watch are wearable computers, ultra high definition television (UHD TV), the game console wars, biometrics, and “quantified cars” that gather and share driving data. Mr. Dadich went on to say that all of these trends are data-driven, bandwidth intensive and individually focused, creating a potential “Hawthorne Effect” on society.
Presented annually, the Prism Award recognizes distinguished leadership in the graphic communications media industry. The net proceeds of the Prism Award Luncheon help to fund student scholarships as well as student and program support for the NYU-SCPS GCMT graduate program, which prepares the next generation of media communications industry leaders. Since its inception, the Prism Award Luncheon has raised millions of dollars for scholarships for students in the GCMT program.
Previous NYU Prism Award recipients include Steve Forbes, chairman and editor-in-chief of Forbes Media LLC; Thomas J. Quinlan III, president and chief executive officer of RR Donnelley; Vyomesh (VJ) Joshi, former executive vice president, HP’s Imaging and Printing Group; Cathleen Black, former chairman of Hearst Magazines; Antonio M. Perez, former president and CEO of Eastman Kodak Company; Anne M. Mulcahy, former chairperson and CEO of Xerox Corporation; Janet L. Robinson, former president and chief executive officer of The New York Times; and Ursula Burns, chairman and CEO of Xerox.
The Advisory Board of the NYU School of Continuing and Professional Studies (NYU-SCPS) Graphic Communications Management and Technology (GCMT) graduate program has selected Charles Townsend, chief executive officer of Condé Nast, as the recipient of the 2014 Prism Award. Presented annually, the Prism Award recognizes distinguished leadership in the graphic communications media industry.
Sponsored by the NYU-SCPS Master of Arts in Graphic Communications Management and Technology program, the 28th Annual Prism Award Luncheon will take place on Tuesday, June 17, 2014 at Cipriani 42 in New York City. Scott Dadich, editor-in-chief of WIRED, will accept the award on Mr. Townsend’s behalf and discuss future trends at the nexus of design and technology.
“We are honored and delighted to recognize Charles Townsend, an innovator in the media industry, with the 2014 Prism Award,” said Dennis Di Lorenzo, dean of the NYU School of Continuing and Professional Studies. “His leadership qualities and his ability to anticipate and to navigate change in a continuously evolving business environment are an inspiration to us all. We are equally fortunate to have Scott Dadich to serve as our Luncheon chairman and to have him accept the Award on Mr. Townsend’s behalf.”
Previous NYU Prism Award recipients include: Ursula Burns, chairman and CEO of Xerox Corporation; Steve Forbes, chairman and editor-in-chief of Forbes Media LLC; Thomas J. Quinlan III, president and chief executive officer of R.R. Donnelley and Sons Company; Vyomesh (VJ) Joshi, former executive vice president of HP’s Imaging and Printing Group; Cathleen Black, former chairman of Hearst Magazines; Antonio M. Perez, former president and CEO of Eastman Kodak Company; Anne M. Mulcahy, former chairperson and CEO of Xerox Corporation; and Janet L. Robinson, former president and chief executive officer of The New York Times.
“It is a source of great pride for Condé Nast to join this esteemed group of former recipients in supporting the NYU School of Continuing and Professional Studies,” said Townsend. “Talent is at the cornerstone of what makes all our organizations successful—I can think of no better investment in our future than growing these scholarship programs.”
“WIRED is where tomorrow is realized,” added Dadich. “I’m thrilled to be part of an event where ideas and innovation are fostered and to be accepting this prestigious award on Condé Nast’s behalf.”
The net proceeds of the Prism Award Luncheon help to fund student scholarships, as well as student and program support for the NYU-SCPS GCMT graduate program, which prepares the next generation of media communications industry leaders. Since its inception, the Prism Award Luncheon has raised millions of dollars in scholarship funds for students in the GCMT program.
“Over the years, hundreds of talented and deserving students have benefitted from Prism Award scholarship funds, graduating from the M.A. in Graphic Communications Management and Technology program and launching their own highly successful careers in an industry that continues to grow and thrive,” commented William “Buzz” Apostol, Prism Award Committee co-chair and vice president, sales – Americas at X-Rite/Pantone Inc.
Tickets for the Prism Award Luncheon are priced from $750 per person to $6,000 for a sponsor’s table of eight and $10,000 for a co-chairmanship (which includes a dais seat as well as a table of eight). Tables, ticket reservations, and additional information are available through the NYU-SCPS Office of Development. Contact Melissa Malebranche at 212-998-6950, by fax at 212-995-4039, or by e-mail at firstname.lastname@example.org. Visit www.scps.nyu.edu/prism to learn more about the Prism Award Luncheon and Scholarship.
About Charles Townsend
Charles H. Townsend is chief executive officer of Condé Nast, the premier media company renowned for producing the world’s highest quality content for the world’s most influential audiences. Attracting 164 million consumers across its industry-leading print and digital brands, the company’s properties include some of the most iconic titles in media: Vogue, Vanity Fair, Glamour, Brides, Self, GQ, The New Yorker, Condé Nast Traveler, Details, Allure, Architectural Digest, Bon Appétit, Epicurious, Wired, W, Lucky, Golf Digest, Golf World, Teen Vogue, and Ars Technica. Condé Nast also owns Fairchild Fashion Media (FFM) and its portfolio of comprehensive fashion journalism brands: WWD, Style.com, Footwear News, NowManifest, Beauty Inc., M, and Fairchild Summits. The company’s newest division, Condé Nast Entertainment, was launched in 2011 to develop film, television, and digital video programming.
During Townsend’s 20-year tenure at Condé Nast, the company has reached record profits, tripling its topline growth and exponentially expanding its distribution platforms. In just the past five years, Condé Nast’s footprint swelled by more than 100 million consumers and in 2013, the corporation was named one of the fast-growing companies in the digital video business. Earning a record 107 National Magazine Awards in the past 20 years, Condé Nast also led the industry as one of LinkedIn’s Top 50 Most In-Demand Employers in the World. In late 2014, the company will relocate to its new global headquarters at 1 World Trade Center, where it will play a leading role in the resurgence of Lower Manhattan.
Before being named CEO in 2004, Townsend served as Condé Nast’s chief operating officer after joining the company in 1994 as publisher of Glamour. Earlier in his career, he served as president and CEO of The New York Times’ Women’s Magazine Publishing Division and as publisher of various Hearst Magazines titles. Townsend is a graduate of the University of Michigan.
About Scott Dadich
Scott Dadich was named editor-in-chief of WIRED in November of 2012.
Prior to being named editor-in-chief, he served as vice president, Editorial Platforms & Design for Condé Nast. In this role, he oversaw the creative efforts to bring Condé Nast’s storied brand portfolio to emerging digital channels.
From 2006-2010, Dadich was the award-winning creative director of WIRED, where he initiated and led the development of WIRED’s groundbreaking iPad app, which was introduced in May 2010, one month after the introduction of the revolutionary device. Building upon that success, Dadich and his team have led all of the company’s brands into monthly tablet publication across multiple digital platforms.
Collectively, Dadich’s work has been recognized with eight National Magazine Awards, including three General Excellence Ellies (Texas Monthly, 2003; Wired, 2007 & 2009). He is the only creative director ever to win both the National Magazine Award for Design and the Society of Publication Designers Magazine of the Year award three consecutive years: 2008, 2009, and 2010. Additionally, he has received more than 100 national design and editorial awards from organizations such as the Art Directors Club, American Photography, American Illustration, The Society of Illustrators, and the Type Directors Club. In 2011, Fast Company named Scott Dadich one of the 50 Most Influential Designers in America.
Prior to joining Condé Nast, Scott was creative director of Texas Monthly, which was nominated for 14 National Magazine Awards during his tenure and won for General Excellence in 2003.
Dadich graduated from Texas Tech University with a Bachelor of Fine Arts degree.
The Graphic Communications Scholarship, Award and Career Advancement Foundation (GCSF) will present its 2014 Champion of Education Award to Jack Powers, technology strategist and longtime public education advocate. Part of GCSF’s 12th Annual Scholarship Awards Celebration on Thursday, June 19, the Champion of Education Award honors exceptional individuals in the graphics field who have helped to prepare its next generation.
For over 30 years, Powers has explained each step of the digital revolution for media professionals on six continents. Beginning with electronic composition and pagination, moving on to desktop publishing and evolving through computer graphics, digital imaging, interactive multimedia, and the World Wide Web, Powers has evaluated the big steps in media technology for private clients and public audiences in books, articles, web sites and videos.
He chaired his first national conference in 1985 for the National Composition Association and worked with many associations and commercial conference developers internationally. He was chairman of the breakthrough Internet World conferences in 24 countries during the dot com boom. Along the way, he produced innovative education programs in electronic commerce, ebooks, artificial intelligence, pervasive TV, digital photography and healthcare IT.
Powers is the director of The International Informatics Institute (IN3.ORG), a Brooklyn-based technology education, consulting, and research organization he founded in 1982. The firm’s research associates advise clients about issues and opportunities in media, technology, business, and society.
In support of public education, Powers has served on the New York City Department of Education’s Graphics Industry Advisory Commission since 1986, leading the volunteer group’s teacher training, curriculum review, and mentoring activities and producing the long-running citywide Graphic Arts Competition. At the Commission, he helped to launch the Graphic Communications Scholarship Foundation and has served as a trustee and officer of GCSF for years.
In 2010, Powers was appointed by the New York City Schools Chancellor to the city’s Advisory Council for Career & Technical Education, the all-industry coalition of business leaders, employers, trade unions, and community organizations that support more than 140,000 technical education students and their teachers in the New York City school system. Voted chairman of the CTE Advisory Council by his colleagues, he has helped develop innovative career-oriented education programs in many fields beyond graphics.
A longtime supporter of CUNY’s New York City College of Technology, Powers serves as the chairman of the Advisory Commission for the Department of Advertising Design and Graphic Arts (ADGA). He also is a member of the advisory councils for Virtual Enterprises International, Thomas Edison High School, and Queens Vocational & Technical High School. He has taught at the Pratt Center for Computer Graphics in Design and at New York University, and he is completing a master’s degree in politics and urban education at the City University of New York.
The award to Powers highlights “The Future of Graphics,” a special program paying tribute to the latest recipients of GCSF scholarship grants. The event also will feature the inaugural presentation of the John Tempest Scholarship Award in memory of its namesake, a print sales executive with a long record of service to industry trade associations.
GCSF’s 12th Annual Scholarship Awards will take place at 5:30 p.m. on Thursday, June 19 in the 3rd-floor Atrium and Joseph Urban Theatre of the Hearst Tower, 300 W. 57th Street in Manhattan. Admission is free, but all attendees must pre-register by e-mailing a request for entry to Jerry Mandelbaum at email@example.com.
The Graphic Communications Scholarship, Award and Career Advancement Foundation is an all-volunteer, 501(c)3 non-profit organization that provides financial support to New York City metro area students pursuing careers in graphic communications. Since its founding in 2002, GCSF has given financial support to more than 108 students in graphic studies degree programs at leading institutions in the field.
This is a post about heavy iron—but not the printing kind. There’s a striking new collection of World War II-vintage armored vehicles at the new Museum of American Armor in Old Bethpage, NY, on the grounds of the equally historic Old Bethpage Village restoration. Naturally, the armor museum will provide many a blissful afternoon for World War II tank and artillery buffs. But, it also has much to offer anyone else interested in learning more about the immense contributions of mechanized weapons systems and the men who operated them to the winning of the Good War.
The museum, which opened to the public two days ago on the 70th anniversary of D-Day, is the gift of Lawrence Kadish, a real estate investor who contributed more than $2 million to the construction of the building and the creation of the exhibits. Some of the work remains in progress under the supervision of museum director and exhibit curator Mark Renton, an expert in the restoration of historic armor. Renton says that eventually, more than 20 of the combat vehicles will be in full running condition for live displays.
Some of the pieces—the Sherman tank, for example, or the “Long Tom” field gun—will be familiar to students of the period. Many other, less well known machines add detail to the panorama of American industrial ingenuity and might that the museum stirringly celebrates. There’s also a gallery of war-themed art and, in a space that will be a VIP conference room, a life-sized replica of that icon of American armor, Gen. George S. Patton.
History in the form of war-winning fighting vehicles soon literally will be on the move at the Museum of American Armor. It has all the makings of a national treasure of its kind, and we’re indeed fortunate that it has made its home in the NY-metro region.